
about…
Freya Porritt Wessman is a visual artist, Illustrator and Animator based in Ballina/Killaloe, Ireland. A proud daughter, sister and peculiar being. Her Irish and Swedish family have allowed for a wonderfully colourful and bicultural upbringing. She spent her early years in southern Sweden, out in the country where red barns sit anchored in seas of yellow rapeseed in the spring, the roadsides adorned with midsummer flowers in the summer, and the endless expanse of bleak, frost or snow-covered fields in the winter. The changing world around her constantly fuels her curiosity. Stories and legends of the curious creatures and characters that might roam the land have always had a seat at her table of imagination.
Her later childhood was adventured in Ireland. A land of spongey and boggy fields, of gold light weaving through dark clouds and a rain-soaked sky. Meandering stone walls across vast fields and curling hawthorn trees and hazel groves, growing to the shape of the wind. A land of faeries and spirits, stone circles, sacred hearts and sacred hearths.
The chance to grow up with many talented women in her family, from musicians, to bakers, painters and illustrators. Art of all forms has surrounded her and inspired her own direction.
Folklore, culture, myth, land and family are constantly weaving themselves in and out of her work. Patterns, colours and textures of the worlds she inhabits both outside and within are a constant fuel to her art. She went on to have her first solo exhibition at the Bridge Gallery, Co Tipperary in May of 2024. Where she displayed a collection of ‘Peculiar beings & Mysterious things’
She graduated from Limerick school of art and design in 2024 with a honours degree in Animation and Motion design. It was here she followed her dream of bringing her drawings to life through motion. It was here that she was introduced to digital painting that’s often involved in animation production. She now uses a combined Trad-Digital approach to a lot of her work. She received three awards for her film at the graduate awards 2024.
Film-making has a special place in her heart and her film ‘Moncha’ , a love letter to rural culture, which tackled themes of grief and perseverance. Exploring the themes of both solitude and isolation found in the remote parts of emotional existence.
‘Moncha’ won two awards at the dingle animation festival 2025 including Best Irish student film ( Rte Jr), and best art and design direction (Jam media) and received six nominations.
‘Music has a huge impact on my work. A lot of my art is created based off of the sounds i’m listening too. Creating music has a special place in my heart and practice.‘
She feels that telling stories, the way we tell them, and the people we share them with is life itself.
She has a collection of interesting and exciting projects in the works and she looks forward to sharing them one day soon.

THE PROCESS
EVERYTHING STARTS WITH AN IDEA…or a feeling. Most of my work starts as a scribble, a scribble in a book, the back of my copy, the bottom of an envelope, the back of a serviette. Anywhere doodleable. Ive always struggled to keep a sketchbook as I’ve found it hard not to fear ‘ruining’ it. But in the last few years, I have tried to keep better track of my drawings.
Now…if i like the idea enough or am curious enough to want to get to know the character or find out more about the potential story that is unravelling…I’ll keep adding to it, perhaps even redo it on some proper paper. Watercolours, inks and fineliners are my favorite. When I started studying animation i got introduced to digital painting, and it has become part of my process. I’ll scan the artwork and continue painting and adding colours digitally. Sometimes, I might even decide to animate it.
Printing… This is the most exciting part for me. And the scariest. The texture of the paper, the feel and the colours are very important to me. If it works, it’s the best feeling, however it is equally frustrating if it doesn’t feel just right. Finally, I return to my desk; I love to embellish the prints with fine-line pens, black, gold and white. Allow small details to stand out and redefine certain elements. It also allows each print to be unique. Lastly, they get signed and if lucky enough, get to go to a new home.




THIS WORLD…